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Software Synthesizers: The De...
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Jim (Ed.) Aikin
Nevermind: Classic Rock Albums
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Jim Berkenstadt
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Charles R. Cross
Your Pretty Face Is Going to ...
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Dave Thompson
The Stompbox
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Art Thompson
Central Avenue Sounds: Jazz I...
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Clora Bryant
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Buddy Collette
Deborah Garry: Platinum Blonde
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Cathay Che
Confusion Is Next: The Sonic ...
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Alec Foege
Beyond And Before: Progressiv...
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Paul Hegarty
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Martin Halliwell
The Best Of Abbie Hoffman: Se...
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Abbie Hoffman
Nick Drake: The Life
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Richard Morton Jack
Recording the Guitar and Bass...
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Huw Price
In The Pleasure Groove – Love...
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John Taylor
Depeche Mode: A Biography
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Steve Malins
Defining A Nation In Song – D...
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C.A. Reitzel
Perspectives Of New Music 196...
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Edward T. (Ed.) Cone
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Benjamin (Ed.) Borertz
The Producer: John Hammond An...
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Dunston Prial
Sound Recording Practice (Thi...
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John (Ed.) Borwick
Between Montmatre And The Mudd Club
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Bernard Gendron
The Tide Was Always High: The...
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Josh (Ed.) Kun
Programming Basic And Advance...
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Josh Bess
They Call Me Stein On Vine: A...
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Gary Chen
From Birdland To Broadway: Sc...
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Bill Crow
Canto D'amore: Classicism In ...
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Merrell Holberton
The Autobiography Of Clark Terry
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Clark Terry
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Gwen Terry
No Slam Dancing, No Stage Div...
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Amy Yates Wuelfing
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Steven Dilodovico
Spaces Speak, Are You Listening?
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Linda-Ruth Salter
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Barry Blesser
Raise Up Off Me: A Portrait O...
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Hampton Hawes
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Don Asher
Art: Why I Stuck With A Junki...
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Laurie Pepper
Benny Goodman: The Famous 193...
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Jon Hancock
Schrader On Schrader
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Paul Schrader
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Kevin (Ed.) Jackson
The Hit Factory: the Stock, A...
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Mike Stock
In the Studio with Michael Jackson
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Bruce Swedien
New Dutch Swing
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Kevin Whitehead
Facing the Other Way: The Sto...
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Martin Aston
Perspectives Of New Music 197...
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Elaine (Ed.) Barkin
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Benjamin (Ed.) Borertz
The New Milton Cross Complete...
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Karl (Ed.) Kohr
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